17

A small cohort of kids filed in through the door to the viewstudy, a teacher shepherding from their midst. The room was empty of seating; instead, bright cushions and stuffed animals formed an inviting pile in the center of the floor. The curved window wall was set to transparency, with the view of Capital City as backdrop.

Three remote cameras lifted off a high shelf and began hovering around the room like lazy winged mice. Everyone made themselves comfortable, the teacher on a large cushion at the back of the group. When all eight children had settled, she smiled directly at the camera blinking red.

“Good morning, Rocketeers! We’re so glad you could join us here at the Pan-Galactic Imperial Court on Alisandre.” She radiated eager warmth, her curling golden hair seemingly reflecting it. “Today, Prince Cristobal is going to tell us about the ten federets of the Pan-Galaxy.” The body of another camera turned red as it transmitted a close-up of a young boy of about twelve. He looked like his oldest sister, dark-haired and pale, though his eyes were grey like his father’s. Quiet and self-possessed, he nodded at the camera. “Sir Prince, thank you for sharing. The floor is yours.”

He smiled briefly, rising from where he sat at the edge of the group. He was tall for his age, and the black-with-gold garb that he wore made him look taller. From his pocket he withdrew a data chip, which he inserted into a console by the side of the window wall. The center panel turned a flat white, and he stood in front of it, notecards in hand.

“The Pan-Galactic Imperium is divided into ten parts, or federets.” Behind him, a red circle drew itself against the white backdrop. Lines crisscrossed it to divide the pie into ten pieces, which separated to array themselves around the Prince’s silhouette. “The Imperial planet of Alisandre is separate from these, to better serve as a neutral governing body. This means each federet is equally important.” A red dot appeared above the ten dispersed shapes, encircled by a line of gold.

He was reserved, if not shy; but his voice stayed steady and his diction clear. “Each federet is a common sense group of planets and galaxies. Some were formed when they became part of the Imperium. Others have been regrouped depending on population and transport accessibility.” The diagrams rearranged themselves around him, illustrating the changes he spoke of, each shape taking on its own new color.

As the Prince described each federet, the teacher shifted her gaze from him to the city view on either side of the screen. He’d been her pupil for almost six years now, and he always lit up when the topic came to worlds outside the court, especially the distant edges of the Imperium. His usual reservations would melt away. Even now, he became more animated as he sprinkled the cut-and-dry presentation with some favorite gems.

His oldest sister would rule, but as the first boy and third child of the family, his destiny was very much in his hands. For now, he could only repeat the canonical histories as they were taught to him. As his teacher, she could feel his yearning for original knowledge from outside his sheltered world. She had a feeling he would find it, soon enough.

13

She was finally nearing the end of guest reception. Members of the family stood in different areas, having informal words with those leaving. On Soleil’s left, her younger sister Mireille was bowing to an Aquari Councillor. Brown-haired and still wearing baby fat at eighteen, she took more after their father, sharing his inclination to follow stories and gossip. Soleil understood politics, and Mireille understood politicians. They weren’t the closest of friends – Margeaux knew more of her heart – but they spoke often about matters of state.

Soleil could feel composure slipping, and knew she needed to get out. She put a hand on her sister’s shoulder, who leaned an ear to her. “I need to go for now,” she spoke quietly. “I’ll be back if I can.”

Mireille curved her lips in a smile, speaking back with equal warmth. “Be well, Soleil. I can take it from here.” Turning in a way that kept the shape of her skirts, Soleil went through the double doors behind them that led to the outer balcony. This open-air walk stretched around the outside curve of the Auditorium building, ending in Imperial offices and apartments. There was a dressing room there where she could take a moment.

The night air was cool. Soleil sighed, tilting her face to the sky. It was on this balcony that her mother had taught her the Alisandrian constellations. Though the Pan-Galactic Imperium spanned dozens of planets acquired over more than twenty generations, the royal seat had been on Alisandre since the beginning of expansion. It was this sky, her mother said, that had shaped the dynasty – no matter how many skies she would see over her lifetime, these stars would tell her she was home.

Her formal shoes clicked along the flagstone expanse. The balcony was mostly empty, but for a scattering of strolling pairs, who bowed as she passed. Rounding the final curve, she slowed her pace when she saw the figure leaning against the rail. Hearing an approach, he stood, and smiled.

The high-dress uniform in colors of black, red, gold and white struck a crisp outline to his caramel brown hair and weathered complexion. He made a bow, his eyes crinkling at hers. “An honor, Princess Soleil.”

She acknowledged him, her face opening into a weary smile. “General Draig Claymore.” Though the sight of her childhood friend cheered her, she was still dragging, and was sure that it must show. This was the first she’d seen of him since her return, and she was loathe to make the time short; but she had to admit she felt ready to collapse. “I’m glad you could attend.” Her head felt light and detached, her voice far away. “Please excuse me -”

He rushed forward when he saw her drop.

Suddenly Soleil looked up, felt the pavers beneath her hands, and realized she was no longer standing. She was supported on Draig’s arm, and he was shouting to someone. Soleil began to laugh at herself, but when she opened her mouth it was only the jabber of flames, and everything was lost in the sunfire.

12

I seek the fire, the blue-green fire
of Oloa the snake dancer –
healer of our tribe, deliverer of daughters,
savior of lives, shaman of visions.

Spirit speaker Oloa, one of us and not one of us,
with us and always apart, we find her
by her fire when traces of dusk have vanished.
We follow the moon moth to Oloa’s fire.

Soleil broke into a sweat. She kept her breathing calm, but why sweating? The music was intense, but this wasn’t a usual reaction. Her life had been generally free of present danger; feeling it now, she didn’t understand it. Soleil couldn’t move or squeeze her hands, holding her grandmother’s and cousin’s. Her body was unresponsive to command. Tendrils of panic arose in her thoughts.

Something is wrong, nothing is cooking.
No song in her hut, no glamour of vines,
the beasts her friends all hide their faces
and make no sound.

An arrow! Our snake dancer
is no warrior, her weapons and power
are of another world, why does her
agate-tipped arrow wear blood?

Lysha begins calling the other warriors by name to join her. The music turns darker, urgency rising in tempo and timbre. Easing herself into a state of detachment, Soleil guessed she was having an adrenaline response with night terror paralysis. There was a distinct pulse in what felt like a physical place in her skull.

She would have spoken if she could, maybe to Margeaux, but she couldn’t manage even a quiet utterance. One by one, the other women singers were arriving in the piece. Together, they were discovering the scene of the crime. Finally, climbing a peak of terrific arpeggios, they screamed,

MURDER! She is slain. Fallen…

Soleil’s senses dimmed as though someone was squeezing her life in their fist. Her detached self understood that this wasn’t a mortal sensation – it had a distinctly neural quality, like the traces of iron in water. The animal core of her, however, was a rearing, frightened horse locked in and tied tight.

The dead shaman Oloa was carried out from backstage in the arms of Lysha and Neris. Soleil focused on her through pulses of blackness. It was a bright enough sight that it was something her mind could hold onto, even as it seemed somehow to be failing.

Traditionally, the shaman is a role of honor, the silent star of this piece. She emerges only this once in her full regalia, and she is already dead. This costume, not bound by any enduring or definite character, is often an homage to an ancestor or elder. On this stage, Oloa’s skin was black as night, her hair a voluminous dark fall including many strands of pulsating, soft rainbow light. This was bound in uncountable loose sections by loops glowing with the same light, as did the stripes down the sides of her fitted black bodysuit. Their dead shaman was a glowing, alien anachronism, lit up and supine as a martyr in neon; pitiful as a firefly’s last dance.

This assembly of glowing swoops and halos anchored Soleil’s vision. When she became certain that she could either cry out, or that her mind would cave to whatever was attacking it – the sensations fled, leaving the barest trace on her memory. As though she had eaten spicy food.

The four women onstage were now singing the memorial verse, setting the shaman onto a bier, covering her, and raising her up. Soleil’s mind was reflexively healing its trauma, covering its tracks, but she took note before it could erase them completely. Should mention this later, though to whom? Very unusual. The entire ensemble switched to percussion, beginning the battle verse.

We are a storm, the lightning suddenly
cleaving a tree in twain, the sudden fire
springing forth from its body, the fire that
takes the mountainside, the winds that
spread it and the driving rain that ends it.

Soleil rose to her feet with the rest of the front row. She was clapping. With bewildered sarcasm, she noted that her hands and feet were now working just fine. She smiled, and all the cameras looked at her.

10

The light grows dim through the trees,
the shadows dapple and rise.
Everyone inside, this is a huntress’ time.
When the sun sets, and the heat dies,
when the devils awake, but to their tragedy,
no greater devils than we!

Margeaux felt a strange hunger in her muscles and the music. Wriggling inside her skin, she saw herself crawling through growing darkness. The lyrics were sung in Old Indar, which meant Margeaux understood every fourth word, but she could hear it in the musicians, and Kamini’s voice. She had the urge to grin ferociously. The Queen was smiling, to her left. Soleil was expressionless.

In my tender childhood, when first my mothers
and sisters took me into the night,
I was blind. All shadow and shade a mystery,
and now it is the other side of me.

Soleil was feeling emotions she couldn’t name, surprised at their strength. She felt a similar response from her cousin next to her. Atop that, like graffiti scratched into a mirror, was a feeling that she was overhearing someone talk about her. Like an unfamiliar voice saying something personal, right in her ear. Despite wanting to really hear the music, Soleil kept her focus ready, senses pricked. She didn’t anticipate danger, necessarily. If she had described this sensation to Arkuda, her teacher, he would have told her this was a precursor to contact with some ethereal beings. As it was, she had no knowledge, and no warning. She was in the dark.

No home so wild and subtle as the shadow forest.
Herald the night-singing small ones,
the dusk orchids and their lover moths.
Let the cool hours envelop us and our
bodies set to the stalk and chase.

With daggers, claws and darts,
All our limbs, the scents and our calls –
only then, when we are risking everything
committing our muscle, our breath, our life –
this thrill is the soul of us!

8

The last few attendees were ushered to their seats in the Auditorium Salon. It was a small, fully-fitted theater with royal accoutrements. A 16-piece orchestra sat at the foot of the velvet-curtained stage. Princess Soleil sat midway to the left in the front row, with her cousin Margeaux on one side and her grandmother the Queen on the other. The musicians continued tuning while people settled in their seats.

Margeaux leaned towards her cousin. “Did you get enough to eat?”

“Only just,” Soleil spoke in a stage whisper. “Did you try the teriyaki fish thing?”

“That was pretty good. But I liked the game hen.”

A hush descended through the room. The lights dimmed, and the curtains opened to reveal the performer at center stage. She wore primitive but graceful lizard buckskin dress armor, her hair a bushy black mane over copper skin.

The Huntresses’ Aria begins with a soloist who plays Lysha, amazon of ancient Iza. She sings of her tribe and the night hunt. When a terrible murder is discovered, the song turns into a bloodthirsty battle cry. Soleil knew the piece, part of the larger Erris of Rahm. It was one of her favorites. She turned her head to smile at her grandmother. Queen Celeste returned it warmly before pinning her eyes on the stage.

Mara Kamini joked that she had performed for half the Pan-Galaxy, and the other half didn’t like opera. When she was invited to perform at an Imperial event, she cancelled other scheduled shows, pouring herself into the Huntresses’ Aria. She took pains in finding the other singers, for the piece was notorious for falling apart in the transition from solo to chorale. Three months later, she found herself twenty-five feet from the attention of Her Vast Eminence and the royal family. She could not remember how to begin. The Queen and the Princess shared a smile, and the court began to focus on her. Kamini felt a wave of helplessness and desperation rise larger than she could overcome. She met eyes with the Queen, opened her mouth, and let it out.