10

The light grows dim through the trees,
the shadows dapple and rise.
Everyone inside, this is a huntress’ time.
When the sun sets, and the heat dies,
when the devils awake, but to their tragedy,
no greater devils than we!

Margeaux felt a strange hunger in her muscles and the music. Wriggling inside her skin, she saw herself crawling through growing darkness. The lyrics were sung in Old Indar, which meant Margeaux understood every fourth word, but she could hear it in the musicians, and Kamini’s voice. She had the urge to grin ferociously. The Queen was smiling, to her left. Soleil was expressionless.

In my tender childhood, when first my mothers
and sisters took me into the night,
I was blind. All shadow and shade a mystery,
and now it is the other side of me.

Soleil was feeling emotions she couldn’t name, surprised at their strength. She felt a similar response from her cousin next to her. Atop that, like graffiti scratched into a mirror, was a feeling that she was overhearing someone talk about her. Like an unfamiliar voice saying something personal, right in her ear. Despite wanting to really hear the music, Soleil kept her focus ready, senses pricked. She didn’t anticipate danger, necessarily. If she had described this sensation to Arkuda, her teacher, he would have told her this was a precursor to contact with some ethereal beings. As it was, she had no knowledge, and no warning. She was in the dark.

No home so wild and subtle as the shadow forest.
Herald the night-singing small ones,
the dusk orchids and their lover moths.
Let the cool hours envelop us and our
bodies set to the stalk and chase.

With daggers, claws and darts,
All our limbs, the scents and our calls –
only then, when we are risking everything
committing our muscle, our breath, our life –
this thrill is the soul of us!

8

The last few attendees were ushered to their seats in the Auditorium Salon. It was a small, fully-fitted theater with royal accoutrements. A 16-piece orchestra sat at the foot of the velvet-curtained stage. Princess Soleil sat midway to the left in the front row, with her cousin Margeaux on one side and her grandmother the Queen on the other. The musicians continued tuning while people settled in their seats.

Margeaux leaned towards her cousin. “Did you get enough to eat?”

“Only just,” Soleil spoke in a stage whisper. “Did you try the teriyaki fish thing?”

“That was pretty good. But I liked the game hen.”

A hush descended through the room. The lights dimmed, and the curtains opened to reveal the performer at center stage. She wore primitive but graceful lizard buckskin dress armor, her hair a bushy black mane over copper skin.

The Huntresses’ Aria begins with a soloist who plays Lysha, amazon of ancient Iza. She sings of her tribe and the night hunt. When a terrible murder is discovered, the song turns into a bloodthirsty battle cry. Soleil knew the piece, part of the larger Erris of Rahm. It was one of her favorites. She turned her head to smile at her grandmother. Queen Celeste returned it warmly before pinning her eyes on the stage.

Mara Kamini joked that she had performed for half the Pan-Galaxy, and the other half didn’t like opera. When she was invited to perform at an Imperial event, she cancelled other scheduled shows, pouring herself into the Huntresses’ Aria. She took pains in finding the other singers, for the piece was notorious for falling apart in the transition from solo to chorale. Three months later, she found herself twenty-five feet from the attention of Her Vast Eminence and the royal family. She could not remember how to begin. The Queen and the Princess shared a smile, and the court began to focus on her. Kamini felt a wave of helplessness and desperation rise larger than she could overcome. She met eyes with the Queen, opened her mouth, and let it out.