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Facing conversationally inward, three ships anchored to each other moved together through space like a slowly twirling lily.  They were the only gleaming thing in sight.

The actual conversation was occurring aboard the ship displaying greatest authority, an instrument-bearing member of an Imperial Alpha fleet.  It would be very, very hard to tell that its identifiers had been altered.

Five people fit snugly in the equipment chamber.  Leanders, grizzled, stood silently, contemplating middle management while others drove their bargains.  He looked across at the one he called boss, repeatedly surprised by his presence.  Not just the unlikelihood of it; the man could turn nearly invisible unless he spoke, and he hadn’t spoken for a while.  Sturlusson was looking around the interior of the craft with an ear following the discussion.  It wasn’t the newest of Imperial ships – looked like it was made of routine repairs.  Nevertheless, it had squeaked over to this rendezvous with a bit of shine left on it.

Leanders was feeling relieved and even lighthearted after a series of simple stash drops.  Raev’s one fist was held clutched, like it was holding the strings tying everything together.

Cascade Writers June 2017

Bones of Starlight author Eva L. Elasigue (that is, I) will be presenting at the Cascade Writers June 2017 workshop weekend.  This is on June 23-25, the same weekend as the Locus Awards in Seattle.  2+ workshops/panels, topics yet to be disclosed!  I did in fact propose a unit on napping, where there would be naps, and explanations on why and when naps are good, and different napping methods.  And, I’ll talk on other things.

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Creative Commons 2017 Global Summit

Since I began releasing Bones of Starlight online in 2014, Creative Commons has been the licensing entity assuring my authorship, and your readership.  It created a safe environment for me to air my work, and maintain the motivation to complete the first book (and let us say, those after).

I used the same kind of license for the printed work, and I love seeing it there on the copyright page, a sort of affirmation from the first time Creative Commons made perfect sense to me.  It still does.  Collaboration with artists is made easier, and that’s how I’m able to include such excellent images.

Last year’s Creative Commons panel at MidAmericon 2 was a great experience.  It’s now time to strengthen the connection between my work and this growing movement, so that I can also bring Creative Commons to people for whom it makes sense.

I’m glad to be here.  I’m glad it’s here.